AI motion graphics you can still edit after they render.

Animated graphics — logo reveals, kinetic type, animated charts, title cards — produced from a written description instead of built by hand in an animation tool. The useful versions give you something you can still edit afterwards. LazyKiwi returns a layered document with named controls, so the clip is a starting point you steer rather than a finished video you have to accept or discard.

Yes, with limits worth knowing. Free accounts export 720p three times a day with no watermark on the frame — the file you download is the file you post. Storyboard planning and AI refinements each get three free runs a day, and adjusting the controls by hand costs nothing at all because it re-renders in your browser. Generating a new animation and exporting at 1080p spend credits; the pricing page lists exactly how many.

Yes, and this is the main thing that separates it from prompt-to-video tools. Every headline, colour, size, speed and easing curve stays a labelled control, so changing them re-renders locally in your browser — instantly, and without spending credits. You can also click an element and describe the change in words instead of hunting for the right slider.

One document exports 9:16, 16:9, 1:1 and 4:5. Switching ratio retargets the layout rather than cropping it, so headlines stay inside the safe area instead of getting clipped. Exports are MP4, encoded in the browser, with a WebM fallback on browsers that have no MP4 encoder — both drop straight onto a CapCut, Premiere, DaVinci Resolve or Final Cut timeline.

There is no timeline, no keyframe curve editor, no layer stack and nothing to install — and no project file to open on a machine that has the right plugins. You describe the clip, approve a storyboard, and adjust named controls in a browser tab. After Effects is more powerful and always will be; this is for the far commoner case where you need a good ninety-second turnaround rather than total control.

AI video models generate pixels frame by frame, which is why text comes out warped, logos drift between frames, and a small edit means regenerating the entire clip. Motion graphics here are built as structured layers from real fonts and vectors, so type stays perfectly sharp at any size, brand colours stay exact, changes are instant, and the same document re-exports at every aspect ratio.

Commercial use follows the terms of your LazyKiwi plan, which the pricing page sets out in full. What is worth saying here is what does not restrict you: exports carry no watermark on any tier, the typefaces are self-hosted Google Fonts under the SIL Open Font License 1.1, and the scene textures are CC0 public-domain maps from Poly Haven. Nothing in the assets themselves needs attribution.

No. There are no keyframes to set and no easing curves to learn — the motion design decisions come from the templates and the storyboard planner. If you can describe the clip you want and recognise it when you see it, you can finish one. Naming a brand colour and quoting your on-screen copy in the prompt is enough to get a usable first draft.

AI motion design means describing the animation you want and getting back a real, editable build — layers, timing and type you can still change — rather than commissioning it shot by shot. It covers the everyday work well: launch clips, product hooks, testimonials, data cards, kinetic type. It does not replace a motion designer on brand systems, bespoke art direction or anything that needs a human eye on craft. Most teams use it for the volume work and keep their designer for the hero pieces.

Not today — exports are MP4, with a WebM fallback where the browser cannot encode MP4. We would rather say that plainly than list a format the exporter does not produce. MP4 is what every social platform, editor and CMS ingests; if you specifically need a looping GIF for an email or a README, convert the MP4 afterwards, which costs you nothing and keeps the type crisp.

No. There is no corner badge, no bar and no end card, on the free tier or any other. The difference between free and paid is resolution and volume — 720p three times a day, versus 1080p for 30 credits an export — not a logo stamped over your work that you then pay to remove.

The templates run between three and eight seconds, which is the length a hook, a logo sting or a title card actually wants. That does not change between the free and paid tiers — no plan here buys you extra seconds. For a longer piece, export several clips from the same document and cut them together in your editor.